AGREEMENT

“The Artist’s Reserved Rights Transfer and Sale Agreement” by Bob Projansky and Seth Siegelaub (also adapted and translated for France and Italy), DATA # 2, February 1972, pp. 40-46

ACCARDI Carla

“Carla Accardi” by Anne Marie Boetti, DATA # 20, March-April 1976, pp. 49-50+72-74

ADAMI Valerio

Paintings, text by Henry Martin, DATA #19, November-December 1975, pp. 50-53

AGNETTI Vincenzo

“The Drugged Machine” + “Transduction and Sub-value” + “Eight Propositions”, DATA # 2, February 1972, pp. 47-53

“Use and Notion of Time”, DATA #  7/8, Summer 1973, pp. 111

“An attached audiotape…” about Ian Wilson, Daniel Buren, Art & Language, Arakawa, Robert Morris, On Kawara, Douglas Huebler, Jannis Kounellis, DATA # 11, Spring 1974, pp. 24-31

ANSELMO Giovanni

Statements, DATA # 2, February 1972, pp. 58-61

ANTONAKOS Stephen

“Five Neons for the San Francisco Show” by Naomi Spector, DATA #  9, Fall 1973, p. 93

ARCHITECTURE

“New Mannerism” in Architecture Art Film, by Gianni Contessi. DATA # 13, Fall 1974, pp. 60-66

“Drawn Architecture, Line and Drawing” by  Andrea Branzi, DATA # 23, October-November 1976, pp. 42-43“Ut Pictura Architettura. Notes on Painted Architetcure” Gianni Contessi, DATA # 23, October-November 1976, pp. 39-42+74-79

ART & LANGUAGE

“Us, Us an Away: a Dialogue”, DATA # 25, February-March 1977, pp. 74-76+79-80

ART and POLITICS

“(I): Some Political Posters and (II): Some Questions They Raise About Art and Politics” by Lucy R. Lippard, DATA #19, November-December 1975, pp. 64-69

ARTAUD Antonin

“De Sade, Duchamp, Artaud: The Imaginary and the Death Ceremonial” by Alberto Boatto, DATA # 10, Winter 1973, pp. 46-49

“The Carnal Monument”, from Artaud to Grotowski by Mario Serenellini, DATA # 12, Summer 1974, pp. 66-77

AUSTRALIA

Introducing a Group of Australian Artists: Bea Maddock, Peter Kennedy, Bob Ramsay, Tim Burns, Terry Smith, John Davis, text by Noel Sheridan, DATA #19, November-December 1975, pp. 74-80

“Australia Next: The Sydney Biennal”, a survey by Tommaso Trini, DATA # 26, April-June 1977, pp. 1-4+77-78 (37-51)

CALIFORNIA, Lynn Hershman

“California Today: The Floating Museum” curated by Lynn Hershman + “The Separatist Myth” by Judith Van Baron + “The Artist as a Context” by Carl E. Loeffler, DATA # 27, July-September 1977, pp. 1-4;79 + 57-59.

Works and statements by Eleanor Antin, Michel Asher, Paul Cotton, Stephen Schwarz, Peter D’Agostino, Robert Janz, Lynn Hershman, Elyn Zimmerman, Natasha Nicholson, Darryl Sapien, Suzanne Lacy, Tom Marioni, Irvin Tepper, Bonnie Sherk, Lowell Darling & Ilene Segalove, Barry Bloome, Sam Samore, DATA # 27, July-September 1977, pp. 50-67

CARPI Cioni

“The Palimpsests. Photographs”, DATA # 10, Winter 1973, pp. 110-111

“Transfiguration Zero + Two 1974”, DATA # 12, Summer 1974, pp. 81-85

CARRINO Nicola

“Constructives”, text by Paolo Fossati, DATA #  7/8, Summer 1973, pp. 99-100

CASTELLANI Enrico

“A Critical Investigation. Enrico Castellani, Giulio Paolini, Francesco Lo Savio, Mario Schifano, Jannis Kounellis” by Mirella Bandini, DATA # 10, Winter 1973, pp. 92-97

CHIARI Giuseppe

“What Is Music”, DATA # 3, April 1972, pp. 68-70

“Giuseppe Chiari. Music and Teaching” by Tommaso Trini, DATA # 13, Fall 1974, pp. 50-56

CHRISTO and Jeanne Claude

“Christo Valley Curtain” by Jan van der Marck”, DATA #  7/8, Summer 1973, pp. 103-106

“Cristo, the Running Discussion” among Alanna Heiss, Richard Nonas, David Ross, Massimo Asnaghi, DATA # 24, December 1976-January 1977, pp. 39-40

CLAURA Michel

“Pour dire quelques évidences. (1) Il est question d’art”, DATA # 2, February 1972, pp. 22-24

“Pour dire quelques évidences. 2. Suite”, DATA #  5/6, Summer 1972, pp. 62-65

COLEMAN James

Statements on his “Slide Piece”, DATA # 12, Summer 1974, pp. 38-39

PALAZZOLI Daniela

“Art Equilibrium. Art and the Social Classes”, DATA # 10, Winter 1973, pp. 40-45

“The Body as a Massage and as a Message”, DATA # 12, Summer 1974, pp. 45-49

PALESTINE Charlemagne

“An Interview” by Tommaso Trini, DATA # 21, May-June 1976, pp. 48-50

PANZA DI BIUMO Giuseppe

“Environmental Art Museum”, a proposal for new museums collecting art environments by such artists as  Robert Irwing, Bruce Nauman, Bob Ryman, Robert Morris, Don Judd, Carl Andre, Richard Serra among others, DATA # 12, Summer 1974, pp. 28-33

PAOLINI Giulio

Statements, DATA # 2, February 1972, pp. 30-39

“How the Imaginary Rebels Against Imagination” by Tommaso Trini, DATA # 20, March-April 1976, pp. 88-91

PARR Mike

“Rules & Displacement Activities. Statements”, DATA # 26, April-June 1977, pp. 4;77-78

PATELLA Luca

From His Antwerp Exhibition, text by Vittorio Fagone, DATA # 23, October-November 1976, pp. 38-39

PENONE Giuseppe

“An Interview” by Mirella Bandini, DATA #  7/8, Summer 1973, pp. 108-109

PINOT GALLIZIO Giuseppe

“The First Workshop of Imagistic Experiences of the Movement for an Imagistic Bauhaus and The Experimental Workshop of  Situstionist International in Alba (1955-60)” by Mirella Bandini, DATA #  9, Fall 1973, pp. 82-85

“Discours sur la peinture industrielle et sur un art unitaire applicable” by Pinot-Gallizio, DATA #  9, Fall 1973, pp. 94-95

PISTOLETTO Michelangelo

Mirror Paintings, text by Tommaso Trini, DATA # 13, Fall 1974, pp. 42-45

“Elements of Creative Strategy” by Tommaso Trini, DATA # 22, Summer 1976, pp. 50-51

POLAND

“Permafo and Others” by Natalia L.L., DATA # 27, July-September 1977, pp. 4-79

“Photo Art” by Zdizslaw Sosnowski, DATA # 27, July-September 1977, pp. 79-80

POZZI Lucio

Statements on his paintings, DATA #  7/8, Summer 1973, pp. 109-110

“Color and Surface. Robert Ryman, Robert Mangold, Brice Marden, James Bishop”, DATA # 10, Winter 1973, pp. 86-91